A
MULTICULTURAL APPROACH TO CULTURAL AWARENESS
IN PHYSICAL EDUCATION
Multiculturalism
in most American Schools
Written by: Phoebe
Constantinou
The most pervasive
conceptual framework for multicultural
education in American schools is Banks’
(2004) four-level approach.
The first level
- the Contributions approach - focuses
on ethnic heroes or ethnic holidays,
and is typically taught in White environments
in isolation from those of other ethnicities
and social classes. The second level
- the Additive approach - adds the study
of ethnic content to the curriculum,
but studies ethnic content from the
mainstream perspective. The third level
- the Transformation approach - infuses
various perspectives, frames of reference,
and content from various groups in an
attempt to extend students’ understanding
of the nature, development, and complexity
of U.S. society. The fourth level adds
Social Action to the Transformation
approach. Students learn to take political
action within their schools and communities
to address social problems resulting
from racism and oppression.
Other approaches
that are comparable to Banks’
(2004) Contributions approach are a)
the Tourist approach (Wessinger, 1994),
which focuses only on the outward manifestations
of a culture, thereby leading to and
reinforcing stereotypes; and b) the
Tokenism approach, which also leads
to distortions, trivialization, marginalization,
and prejudice (Cornelius,
1999; Banks, 2004; Ladson-Billings,
2004; Wills et al., 2004). As
often seen in many schools, the basic
practice of all of these approaches
is to add ethnic content to the curriculum,
for example, to add a single unit on
Chinese games or a religious celebration,
or to have a dance or food day.
As the student
population in the United States becomes
more diverse (Banks
et al., 2001) however, moving
beyond the Contributions, Tourist, and
Tokenism approaches, which focus only
on the surface of a culture, has become
even more necessary. We need to teach
about cultures using a more holistic
approach that takes into consideration
that all cultures have their own language,
oral traditions, land ethic, worldview,
health system, artistic expression,
government, family values, family systems,
technology, education, science, economy,
housing, history, and contemporary cultural
continuity (Cornelius,
1999). While most educators acknowledge
the importance of more culturally responsive
pedagogy in all disciplines, including
physical education, developing the skills
needed to apply multicultural understanding
in the classroom can be a challenging
task.
In this article,
I will discuss the idea of promoting
cultural awareness by using a multidisciplinary
approach. This approach is based on
multicultural education principles and
on Piaget’s (1970) theory of empathy.
Multicultural education recommends fostering
cultural pluralism and respect for diversity
in classrooms (Banks
et al., 2001; Campbell, 1996).
As educators, we should act as “agents
of change” and teach about social
justice and eliminating oppression,
and against prejudice and discrimination.
Moreover, we should create a bias-free
learning environment for all students
(Sparks &
Verner, 1995).
Piaget’s
(1970) theory of empathy suggests that
the ability to deeply understand something
different from what is already known
and accepted, yet not be prejudiced
by its unfamiliarity, is a process.
The approach is designed to involve
other disciplines in order to be fully
effective. Thus, a multidisciplinary
team of classroom teachers in subjects
such as history, geography, social studies,
mathematics, music, and others (as needed)
should be established.
Approach
Focus: With the above theoretical
framework in mind, the main focus of
this interactive teaching and learning
approach is to intensify socialization
opportunities among students and the
community, and to promote cross-cultural
relationships, thereby enhancing awareness
and understanding of other cultures
so that empathy and acceptance will
occur. Through self-reflection, exploration,
and analysis, this approach is designed
to develop cultural sensitivity among
students and enhance their own learning
and ability to communicate cross-culturally.
Assessment, feedback methods, and sharing
time are employed to ensure students
stay focused on the objectives of the
approach, and that all students are
aware of each other’s progress
and discoveries. This approach has two
preliminary steps:
- Step 1: The primary
focus of this step is to get students
to understand, discover, identify,
and appreciate their own culture,
whether this culture has a well-known
name (such as Italian, Russian, etc.)
or not. For individuals who have been
influenced primarily by a single culture,
self-identifying with that culture
is an effortless process - for most.
For individuals who have been exposed
to a number of cultures, cultural
identity is a bleary concept and,
many times, a sensitive issue that
is preferably not discussed and preferably
avoided overall. Individuals, however,
are more likely to comprehend the
impact of cultural constructs and
accept cultural differences if they
themselves acknowledge their cultural
values and cultural identities (Banks
et al., 2001).
- Step
2: In this step, students
are instructed to identify a traditional
game or competitive sport from a culture
other than their own, and pair up
with someone who had selected a different
culture to study. Together they should
be involved in an elaborated project
that requires exploring variables
such as the demographics of the culture;
its language and religion; the gender
roles defined within it; the socioeconomic
status of its members; its major historical
events, such as wars, colonialism,
oppression, etc.; the geographical
area in which it exists; and the area’s
climate.
Other values,
such as competitiveness and cooperation,
which might be embedded in the nature
of games or sports popular within
a culture, should also be examined.
Students should be encouraged to
think critically and even hypothesize
as to why certain cultural traditions
exist. Students should also be guided
to probe below the surface of customs
and use historical events, religious
beliefs, or gender rules to refute
or support their hypotheses as to
why such customs were developed
and maintained.
Strategies and Activities
Bafa Bafa: Starting
off with a cross-cultural simulation
activity such as Bafa
Bafa (Shirts, 1970) could demonstrate
to students how easily negative judgments
and attitudes toward people from unfamiliar
cultures develop. In the Bafa Bafa activity,
students are divided into two groups.
Each group is separately introduced
to an imaginary culture. Once both groups
have had a chance to familiarize themselves
with the values and language of their
new culture, a few students (called
“tourists”) from each culture
visit each other’s rooms (called
“countries”). When the “tourists”
return to their own “countries,”
they report on their experiences with
the other culture, and what they had
observed during the visit.
The next phase of the Bafa Bafa activity
is to merge the two groups and let them
try to interact while the teacher stays
back and tries to observe the emotions
and behaviors of the students. Frustration,
discomfort, and uneasiness are a few
of the emotions the students most commonly
experience. Behaviors include avoiding
interaction with members of the unfamiliar
culture and staying close to one’s
own group members. The Bafa Bafa activity
can work as a springboard in analyzing
students’ feelings, behaviors,
and attitudes toward cultural differences.
Finding your roots:
Students using self-reflective techniques
acknowledge family traditions and cultural
costumes. Students also interview family
members (of both genders), such as parents,
grandparents, and other relatives, in
order to obtain multiple perspectives
and views of cultural traditions involving
religious practices, national celebrations,
physical activities, games, dances,
food, and attire. Getting students to
examine below the surface of the culture
and discover the why and how certain
cultural traditions came about will
help them develop a better understanding
of and appreciation for their culture
and the cultures of others (King,
2000).
The project: Once
students self-identify with a culture,
they then select another culture on
which to base their project. Students
should be paired up with someone who
had selected a different culture. The
objective is to provide students opportunities
to interact, collaborate, socialize,
and develop cross-cultural relationships.
Students select a traditional game or
competitive sport that originated in
the culture of their interest. By analyzing
simple elements of the game or sport
(such as the name, type or amount of
equipment, gender accessibility, etc.),
students gain insight into how variables
such as history, economics, politics,
geography, and gender affect the development
of a culture. Moreover, they should
explore how these variables impact(ed)
the development of their selected game
or sport. This research component of
the project should be implemented in
disciplines such as history, geography,
etc., through the collaboration between
the physical educator and other members
of the multidisciplinary team.
Some of the questions students should
examine while analyzing their game or
sport are listed in Table 1.
Analyzing
the Game and Sport |
•
Does the name of the game/sport
have any meaning?
•
Does the game/sport require any
equipment? If yes what kind and
was/is the equipment easily accessible?
•
Does the game/sport promote cooperation,
competition or aggression?
•
Does the game/sport promote any
other values that are not as direct?
•
What motor skills, such as eye-hand,
eye-foot coordination, agility,
strength etc., were required?
•
Is motor skill ability a critical
element to successfully participate
in this game/sport?
•
Is the game/sport main goal to
get individuals physically active
or more for social interaction?
•
Was/is the game/sport accessibility
to both genders? (Boys and girls
were/are allowed to play together?)
•
Was/is this game/sport played
in any other countries? Was/is
it the same or similar? Does it
have the same name/meaning? |
Resources for students:
Students should be provided with a list
of resources, including Web sites, books,
and articles to help them find information
about the traditional games and sports
of other cultures. It is essential that
these resources be free of stereotypes
and misconceptions. If possible, and
only after getting the students’
consent, prepare a list of students
within the school and a list of adults
in the community who are willing to
be interviewed and share factual information
about their culture. This is a great
way to start a dialog, not only within
the school but also within the community.
However, it is critical that students
do not translate individual perspectives
and personal experiences into generalizations.
Such generalizations could reinforce
or even create stereotypes instead of
countering them. Therefore, students
need to conceptualize that one individual’s
perspective and experience cannot be
generalized to represent a whole culture.
Celebrating each other’s
differences: The project should
end with an all-day event that brings
all the components together in a festive,
celebratory fashion. Students are encouraged
to gather family recipes of traditional
dishes (of their own culture) and make
dishes to be shared. Traditional music
and attire should be worn to make the
celebration more festive, and students
should be ready to teach their peers
(and others) to play the researched
games and sports (if possible). If a
game or sport requires equipment, students
can create it beforehand or borrow it
from native players.
Creativity and improvisation are two
necessary ingredients for this part
of the project. An important element
in this phase is to ensure that the
culture of origin of each student is
also embraced and celebrated along with
the culture that the student is researching.
Community members should be invited
to this event, particularly individuals
that contributed to the completion of
the project. The primary purpose of
this celebration is to help students
develop a sense of community within
and out of school (David
& Capraro, 2001). Help them
make connections that are relevant to
the constructivist sense of the word
“community” (Iran-Nejad
& Gregg, 2001).
Conclusion
Although teaching culture holistically
makes absolute sense, developing and
delivering such a curriculum can be
very daunting, yet very rewarding work.
Crucial to the success of this approach
is admitting that you don’t know
every aspect of every culture. Confess
to your own stereotypes, biases, racism,
deficit thinking, and uneasiness on
the matter. In addition, ensure that
all multidisciplinary team members have
the same goal in mind - to teach culture
holistically. Learning about diversity
should happen in an environment that
allows all parties involved to feel
safe, comfortable, respected, accepted,
and valued. It should proceed in an
atmosphere where teachers, students,
and community members contribute equally
to the understanding of diversity. It
is quite vital, however, that all individuals
have a good grasp of who they are before
they attempt to comprehend others.
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